METRO Magazine thinks their readers might like to see a how-to on letterpress printing. Strangely, they asked me to put one together. It should be online in a week or so but I’ll post it here first because I’m generous. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°#1) This is called a printer’s block or advertising cut. All Zeichen Press cards start with one of these.
#2) These backwards lead letters are called type. Before computers, they were the only way to print anything. We have cases and cases of them and I like to arrange them into words.
#3) Everything is locked into a heavy-metal frame called a chase using furniture (wood and metal blocks) and quoins (expanding metal wedges). This weighs about as much as my firstborn child. (Ten pounds. TEN POUNDS.)
#4) The chase is pinned into the bed of the press where the rollers can roll over it.
#5) This 1,500 pound printing press was made in the 1930’s by the Chandler & Price Company in Ohio. That round thing in the upper right is called the ink disc. A little ink is dabbed on it, the rollers ride up the rails and onto the ink disc – get covered in ink and spread it across the forme (the type and printer’s block locked into the chase pinned into the bed of the press). I love this press because it is capable of creating beautiful things and crushing your hand.
#6) A blank piece of paper is held onto the platen using little pins. The paper will meet the inked forme when the press closes like a giant evil clam. I always smile like this when I face danger.
#7) Jen will print a bajillion of these and they will be added to our line.